With so many videographers switching to HDV these days, the HDV production workflow is becoming an important thing to understand. DMN takes a look at one such workflow in their article, “Shooting to editing to delivering in the HDV format.” The main takeaway is to always shoot in the same format, since mixing formats on the timeline can lead to lengthy render times that could make you miss a deadline or have an unfinished product.
The article seems meant mainly for those who are delivering content for broadcast, but it is a good read for anyone trying to get a sense of the HDV workflow.
